I grew up in Los Angeles throughout the Eighties with a single mother on welfare within the seedy backlots of Hollywood’s cash machine. I used to be meant to be a statistic, however graffiti artwork saved my life. Reaganomics was driving the despair and environmental degradation on the time, spawning an enormous youth empowerment motion of free essential thought; half of it was fueled by creativity whereas the opposite half was enraged by the dearth of accountability this corrupt system needed to supply. From gangs and graffiti writers to tagbangers and skaters, underground hip-hoppers and punkers, we had been latchkey youngsters in pursuit of pure vandalism and journey, seeking to get away with it. Merely put, we had been dissatisfied souls and graffiti was our voice.
Gettn’ Away With It, 2000, 5×6’ Oil on canvas
Being a radical teenager interested in fixed hassle, if not for psychedelics within the Nineteen Nineties I might’ve misplaced my thoughts. It gave me a move to see deeper into the mainframe of the bodily phantasm of actuality and allowed these concepts to turn into the subject material in my artwork. Early on I noticed demons in authority figures and slaves within the working class. It was a form of “Jail Planet” second of realization. I made it my mission to critique this circus in hopes to assist others see by means of the bullshit lies and propaganda of huge authorities. Works like that of renaissance painter Hieronymus Bosch impressed me to color these visions as I skilled them on the streets.
Frequent Sense, 1994, 4×5’ Acrylic on canvas
My works grew to become very fashionable with the counterculture that was penetrating the feel and appear of our famed Melrose alleyways and Avenue, as nicely discovered mass enchantment overseas in Tokyo and past. However this all got here to a screeching halt on September 11, 2001, when our world modified in a single day, creating an Orwellian nightmare for anybody who needed to talk freely.
Burning Bush, 2001, 24×30” Acrylic on board
For me this was a form of revelation that vindicated a lot of what my work, a few of it prophetic, had illustrated up till that time. However this was no time for creating artwork that spoke fact to energy, and so the censorship I skilled was excessive. I personally suffered a decade of disassociation and abandonment from many patrons and friends — I used to be dropped from magazines, and a few galleries wouldn’t contact me.
Boycott Your Life-style, 2002, Spray paint mural (Echo Park, Los Angeles)
In fact the grand irony is that what was beforehand deemed conspiracy has now been confirmed true. So whereas for some my work was harmful, others discovered their reflection in it and a brand new subculture was forming. It wasn’t till the 2008 monetary collapse and my participation within the Occupy L.A. protests that I realized concerning the Bitcoin community and subculture; I then started learning its radical philosophical substructure, studying for the primary time the actual historical past of fiat cash and what the U.S. greenback really represents.
Delusions of Grandeur, 2011, 2×4’ Acrylic on canvas
Cash has at all times been my best battle as an artist as a result of creating good artwork requires that you simply care deeply about what you create, even when it offends the general public or the would-be collector. For me, the pursuit of fact in doing artwork was in fixed opposition to the financial system underpinning its correct functioning. At instances I grin and bear it; it’s a battle to endurethe self-deprecating ritual of gaining and dropping unbacked fiat currencies that proceed to feed the beast of the U.S. navy and pointless foriegn coverage. That is the place many artists discover complacency and apathy as they acquiesce to the mundane. For it’s mentioned that we’re taught what to suppose, not easy methods to suppose, and now the byproduct of this has its roots in complacency and it’s what they train in government indoctrination camps manufacturing homogenized consent. What’s required is the novel dissociation from concepts which have turn into out of date and not serve their goal.
The Machine Wants Extra Lubricant, 2002, 4×6’ Acrylic on canvas
Bitcoin embodies this revolution — it’s crucial one in all our time with a forex I can get behind, providing a brand new various financial system based mostly on non confiscatable sound cash rules. It liberated me as an artist and in some ways, like graffiti artwork, saved my life a second time by empowering me to proceed on creating aware artwork for a group that displays this similar sentiment – Bitcoin is the brand new graffiti. When you free your self, you wish to free others and in doing so artwork can be utilized as a psychic crowbar to the cussed thoughts and is a dedication on a path you possibly can’t come again from. It was time to take a strike on the system with my artwork in a brand new type and see what number of heads I may awaken.
Freedom for Humanity, 2012, Spray paint mural (Brick Lane, London)
In October 2012 I traveled to London to color a mural that might converse to the present situation of humanity. Whereas on the flight I sketched out my designs for an iconic work impressed by my post-9/11 pondering on international politics and the financial slave system. Mayer Amschel Rothschild once said, “Give me management of a nation’s cash and I care not who makes the legal guidelines.” Utilizing this as my ideological place to begin, I selected to depict the likenesses of such early flip of the century ”robber barons,” particularly Jacob Rothschild, John D. Rockefeller, J.P. Morgan, Andrew Carnegie, Paul Warburg, as nicely Aleister Crowley who was a form of philosophical guru to the ruling elite of that point and a widely known Satanist. These males and their dynasties, whom I imagine don’t subscribe to any affordable human code of morality, have put parameters round what our actuality consists of; in doing so they’re destroying our planet, indebting us within the trillions, profiting within the billions, whereas displacing thousands and thousands and financing wars by means of unlawful taxation. These depraved banksters have certainly been taking part in a recreation of Monopoly on the backs of the working class.
My mural developed right into a darkish imaginative and prescient of an apocalyptic actuality fueled by their greed, filling our skies with coal, nuclear and chemtrail air pollution. It was located relatively poetically adjoining to “the Metropolis,” London’s monetary heart, perpetrators of those fractional reserve banking crimes towards humanity that led to the collapse of the markets in 2008. It exploded all through the liberal media and have become the middle of controversy and condemnation, not as soon as however twice. In 2018, within the lead-up to the U.Okay. common elections the next yr, self-serving politicians and their mainstream media puppets used my mural to conduct a ruthless smear campaign towards then chief of the Labour Social gathering, Jeremy Corbyn, and myself. They dug up a remark Corbyn had made on my Fb publish in 2012 in protection of my mural’s elimination based mostly on grounds of free speech. Critics took liberty to weaponise my artwork and twist my phrases, conflating my anti-plutocartic message with a grossly false narrative as being anti-semitic, manipulative rhetoric and politricks designed to maintain my mural from talking the reality concerning the financial predicament all of us discover ourselves in.
The actual fact is that energy concedes energy to nobody and is extremely uncomfortable with free thought. This psychopathology implants nefarious notions into our subconsciousness and concocts divisive acts to maintain us separated, pretend information to maintain us arguing, all whereas they proceed to rob and pillage the earth. That is the world I painted, it’s the world we dwell in now, and this dialogue is most necessary if we as a species are to make it to our subsequent stage of evolution.
Local business owner captures the spray can used to deface my mural moments after the suspect fled.
This was a social media struggle for my life that I don’t want upon anybody, however I’m glad it occurred as a result of it confirmed the world simply how wacko the media, the politicians, and their financiers had been changing into of their try to regain management over a society who’s waking up. Since my mural’s creation in 2012 “Freedom for Humanity,” which I renamed “False Earnings” in its later iterations, has been circulating as a robust meme across the globe in its supposed context.
All through my travels from Acapulco to Miami I discover it continues to resonate with a generational motion of like-minded people present underneath comparable circumstances – anarchists, progressive radicals, as nicely many conservatives, libertarians, independents, free market entrepreneurs – individuals simply in search of an alternate world with out rulers and their unjust monetary insurance policies. The one frequent denominator that unanimously ties us all collectively is Bitcoin, there is just one.
Bitcoin Convention 2021, Spray paint burner (Wynwood, Miami)
Bitcoin offers us the reply to free ourselves from these statist shackles and tyrannical grip of the banking globalists and companies ruling our world. It holds an electromagnetic energy of attraction and compensation by means of our hard-earned proof of labor that fills us with pleasure, stemming from the truth that we’re not supporting different individuals’s conflicts.
False Earnings, 2016, 4×5’ Acrylic on canvas
When you perceive Bitcoin every thing else turns into fairly clear. The phantasm of our system and former archetypes which have held place in our lives, holding again humanity from its evolution for many of our written historical past, these constructions of society are utterly corrupt and sick from the within out. With this information the cognitive dissonance dissolves and also you awaken as a self-realized, self-responsible particular person who’s now in charge of your autonomy, privateness and freedom, you maintain the keys to your individual future.
The Allegory of Complacency, 2007, 2×4’ Oil on canvas
However nobody is an island and the isle of affection is uncharted. Subsequently, all of us want a vacation spot, a purpose, and one another to get there, and since discovering this new group my life has modified course magnetically. I discover my previous Nineteen Nineties mantra resurfacing once more with new fireplace – if graffiti is the voice of the dissatisfied soul, and Bitcoin is the brand new graffiti, then Bitcoin is the voice of the dissatisfied soul and I’m right here to color the revolution ahead. PEACE, MEAR ONE
American Revolution, 2015, 5×7’ Oil on canvas
This can be a visitor publish by MEAR ONE. Opinions expressed are completely their very own and don’t essentially mirror these of BTC Inc or Bitcoin Journal.
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