Alisa Davidson
Printed: Up to date at 11:00am on October eighth, 2025: 10:22am on October eighth, 2025
Edit and Reality Test: October 8, 2025 11:00am
Merely put
On the Hack Seasons Convention in Singapore, Jourbin and Neil Stevenson investigated how blockchain, Web3, and AI might be presenting LAMINA1’s new interactive IP “Artefact” in Linea, whereas reworking media, creativity and user-driven content material.
At first of October, the Hack Seasons Convention in Singapore served as a global gathering for engineers, traders and innovators to debate the way forward for blockchain and Web3. The spotlight of the occasion was a facet chat on the hearth entitled “Jourbin and Neil Stevenson’s Present Media 3.0: Storytelling on Chain.”
Moderated by Rebecca Barkin, Lamina1 co-founder and CEO, this session featured Joseph Lubin, co-founder of Ethereum, founder and CEO of Consensys and creator and co-founder of Lamina1 Neal Stephenson. The dialogue targeted on how blockchain know-how is altering the narratives that form media, inventive expression, and trendy tradition.
The dialogue started with an summary of latest developments on Lamina1, an interactive media platform owned by each storytellers and followers. Lamina1 not too long ago introduced its partnership with Consensys’ Linea blockchain and has deliberate to launch a brand new mental property (IP) venture, “Artefact,” on the Linea community.
As IP was more and more accelerated by AI throughout a number of codecs, it targeted on possession, management, and validation questions. Neal Stephenson has lengthy explored the social and cultural implications of rising applied sciences, however highlights present tendencies in AI associated to content material creation. He mentioned the AI trade is extremely centralized and dominated by a number of corporations with sources to coach giant fashions. This centralization depends on opaque methods and limits transparency and accessibility. Within the content material manufacturing context, some AI advocates counsel lowering the influence or compensation of creators, however the authors highlighted the chance that AI might be used to learn creators reasonably than lowering creators.
Joe Lubin mirrored considerations in regards to the centralization of Massive Tech and assembled the event of the Web3 ecosystem in response to those buildings. He defined that for hundreds of years, society operates underneath top-down command and management, the place authorities and intermediaries management possession and privileges. Though efficient in constructing civilizations, such buildings can put nearly all of members at an obstacle. Within the space of user-generated content material, current fashions could be described as permission era. Joe Rubin emphasised that the emergence of decentralized belief, first operated by way of blockchain by Nakamoto Atoshi, created the muse for a brand new mannequin, a decentralized, user-driven civilization. This strategy goals to allow a extra distributed, community-oriented system, reasonably than attempting to dismantle current corporations. Integration with networks like LAMINA1’s Linea goals to empower customers, promote a golden age of user-generated and group president content material.
Joe Rubin has additionally expressed his deep dedication to supporting artwork, music and the broader creator economic system by way of decentralization. He emphasised the significance of IP in enabling artists to take care of themselves independently. Conventional methods have typically favored organizations with extra authorized sources than creators themselves. By leveraging know-how, IP constructs grow to be extra detailed, artificial and fast, particularly when it comes to copyright and licensing. This shift strikes past rarity-driven fashions in direction of an age of richness pushed by automation, AI and robotics. In such methods, creators can focus extra on creativity and content material era, and group mechanisms can reward participation and contribution.
The dialogue then modified to the origins of the time period “metaverse,” typically courting again to the novels of Neil Stevenson.Snow collisionThe creator displays on how digital growth has been unfolding since its publication. The creator defined that the ebook was written within the late Nineteen Eighties and early Nineteen Nineties, when the Web existed however little recognized to most of the people.future. Each occasions performed a transformational position in making laptop graphics broadly accessible.Doom” It boosted the demand for extra succesful computer systems and expanded entry to immersive digital experiences.
Neil Stevenson famous that within the early days of the Web there was a “hippie alumni” stage marked by an idealistic imaginative and prescient of common entry to info. This era was in the end adopted by centralization and integration exemplified by the Web2 platform. In his novel, among the metaverse is managed by central corporations, however others stay open and accessible. Some of the necessary but surprising outcomes was the rise of social media algorithms that monitor person conduct and maximize engagement, with widespread social impacts that Neil Stevenson had by no means anticipated within the Nineteen Nineties.
Joe Rubin noticed that the dystopian components described within the novel are under no circumstances a serious focus for individuals who develop new applied sciences or search enterprise capital. What stood out as an alternative was the creator’s vivid portrayal of our on-line world. This offered a pretty imaginative and prescient for the capabilities of computing know-how because it started to mature.
The speaker shared a perspective on the chances of rising applied sciences. Each highlighted the significance of leveraging the most effective facets of those instruments to learn humanity and create constructive social impacts as digital innovation continues to advance.
Lamina1 proclaims “Artefacts” at Linea, mixing storytelling and fan participation
The dialog has shifted to future plans for Lamina1 because the platform prepares to deploy its first unique IP “Artefact” instantly on the Linea blockchain. The venture combines a world of storytelling with a system designed to encourage fan engagement and engagement.
Neal Stephenson shared the evolution of the brand new IP primarily based on concepts he explored beforehand in his New Zealand speak. He famous an uncommon scenario during which many individuals have developed AI and others warn of its potential hazard. In nature, evolution happens by way of competitors, with no entities receiving particular privileges with out going through challenges. Neil Stephenson proposed that related aggressive frameworks could be utilized to AI, permitting methods to evolve by testing one another’s capabilities. He additional examined situations the place centralized, impersonal AI exists in distinction to AI deployed in a distributed method by human communities utilizing know-how to learn themselves and their communities. This idea served as the idea for Lamina1, a world-building venture for collaboration. Artists and recreation designers have been capable of begin constructing the world of gaming.
The panel concluded by providing members a preview of the brand new IP, giving an early glimpse into the world of the story and its interactive options.
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In regards to the creator
A devoted journalist at MPOST, Alisa specializes within the huge fields of cryptocurrency, zero information proof, funding, and Web3. With a eager eye on rising tendencies and know-how, she gives complete protection to tell and interact readers within the ever-evolving panorama of digital finance.
Different articles
A devoted journalist at MPOST, Alisa specializes within the huge fields of cryptocurrency, zero information proof, funding, and Web3. With a eager eye on rising tendencies and know-how, she gives complete protection to tell and interact readers within the ever-evolving panorama of digital finance.






